The downside is that most students blank and then fail to appreciate the importance of tai sabaki/ashi sabaki. The upside to that kind of training is that it causes the student to think if they're training honestly. Once you can do these fluidly and quickly (which is quite difficult), add them together and practice switching between them.Ĭlick to expand.I always have mixed feelings about this kind of attitude, personally. Or step your right leg out so it's parallel to the side of your left and twist your hips so you're facing at 45 degrees to the right of your opponent. Or step your left leg to your right and your right leg out so you're to the right of your opponent. Or step diagonally forward with your right leg, past your left, then rotate your body around to the left so you're facing where the back of your opponent would be. Or start by pivoting your right leg behind your left to end up at 45 degrees. Say, with your standard left-leg-forward zenkutsu dachi, practice stepping your left foot sideways then using your hips to fire your right leg behind you back into zenkutsu at 45 degrees from where you started. Practice all the ways you could step to circle an opponent. However, it only works once you've actually got some techniques in your arsenal to draw upon.Īs to your original question, it's quite hard to practice tai sabaki without someone to avoid, but you can focus on footwork without a parner. I prefer it to the "this is set 1: gedan barai, gyaku zuki this is set 2: soto uke, empi.etc" way of learning because it encourages you to think on your feet a bit more and not always be relying on your memory of fixed routines. Click to expand.I quite like this more freeform way of training.
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